An Asian immigrant's embodied subjectivity and an Asian woman's body in relation to various locations are at the pinnacle of my artistic work.
My works consist of four concepts:
Passport (2012) displays the government's control of the body.
In Wien (2018) and Weisser Rahmen (2018) highlight an Asian immigrant's experiences with racism and sexism in Vienna. The two works represent violence towards Asian women's bodies in Europe.
- -Sane (2020), Peephole (2021), and Sorrow, at the Traffic Year (2022) address the "new normality" related to the remembrance and anti-Asian racism since COVID-19.