An Asian immigrant's embodied subjectivity and an Asian woman's body in relation to various locations are at the pinnacle of my artistic work.
My works consist of five concepts:
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Passport (2012) displays the government's control of the body.
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In Wien (2018) and Weisser Rahmen (2018) highlight an Asian immigrant's experiences with racism and sexism in Vienna. The two works represent violence towards Asian women in Europe.
- -Sane (2020), Peephole (2021), and Sorrow in the Tireless Year (2022) address the "new normality" related to the remembrance and anti-Asian racism since COVID-19.
- Cacophony (2023) deals with the conflict of Korean female identity in the Asian and Western milieu.